Die Ölgemälde alles Francesco Guardi

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79708

Abfahrt des Bucentaur zum Lido

ca. between 1775(1775) and 1780(1780) Oil on canvas 66 x 100 cm (26 x 39.4 in) cjr

83669

Abfahrt des Bucentaur zum Lido

Oil on canvas Dimensions 66 x 100 cm (26 x 39.4 in) cyf

1824

An Architectural Caprice

c1770/80 National Gallery, London

40592

An Architectural Caprice

mk156 c.1770 Oil on canvas 54x36cm

52351

An Architectural Caprice before 1777

Oil on canvas, 54 x 36 cm

79329

Arched Bridge at Cannaregio

between 1765(1765) and 1770(1770) Medium Oil on canvas cyf

79699

Arched Bridge at Cannaregio

between 1765(1765) and 1770(1770) Medium Oil on canvas cyf

33795

Capriccio

mk86 c.1745 Oil on canvas 92x132cm Milan

21918

Capriccio (mk08)

c.1745 Oil on canvas 92x132cm Milan,Crespi Collection

1823

City View

The Hermitage, St.Petersburg

41203

Concert by the Orphan Girls

mk157 1782 Oil on canvas 67.7x90.5cm

22768

Dal ciclo delle storie di Tobiolo (mk21)

1750 ca Chiesa dell'Angelo Raffiele (parapetto dell'organo),Venezia

40606

Departure of Bucentaure towards the Lido of Venice on Ascension Day

mk156 1775-1780 Oil on canvas 66x101cm

70596

Der Bucintoro vor San Nicolo di Lido

Medium Oil on canvas Dimensions Expression error: Missing operand for *50 ?? 80 cm

30303

Details of he Departure of the Doge on Ascension Day

nn05 A golden parasol recalls Byzantium

30305

Details of he Departure of the Doge on Ascension Day

nn05 Pleasure under the roof of a gondola

30306

Details of he Departure of the Doge on Ascension Day

nn05 From harsh reality to the illusion of beauty

30304

Details of The Departure of the Doge on Ascension Day

nn05 The ship is a veritable monstrance

30635

Doge on the Bucentoro on Ascension Day

mk68 Oil on canvas Paris,Louvre c.1773 Italy

85846

El Gran Canal con San Simeone Piccolo y Santa Luca

1780(1780) Medium Oil on canvas Dimensions 48 x 78 cm (18.9 x 30.7 in) cyf

70768

ett mirakel av s:t hyacinthus

1763 pa duk 172x122cm se

41284

Fantastic Landscape

mk161 Oil on canvas

84832

Fire in the San Marcuola

1789(1789) Medium Oil on canvas cyf

80627

Fire in the San Marcuola Oil Depot

Date 1789(1789) Medium Oil on canvas Dimensions Height: 32 cm (12.6 in). Width: 51 cm (20.1 in). cjr

59185

Francesco Guardi portrayed by Roberto Longhi

Francesco Guardi portrayed by Roberto Longhi (1764).

22765

Gondola sulla laguna (mk21)

1793 ca Olio su tela,25 x 38 cm Museo Poldi Pezzoli,Milano

53842

Hamnstad with classical ruins Italy

mkl234 1730-first century 122x178cm

39934

Harem Scene

mk155 1742-1743 Oil on canvas 46x64cm

40613

Ladies-Concert at the Philharmonic Hall

mk156 c.1782 Oil on canvas

29244

Landscape

mk65 ca.1790 Oil on canvas 47x60"

91906

Landschap met een kade en schepen op een meer

1760 - 1780 Medium oil on canvas Dimensions 45 X 70 cm (17.7 X 27.6 in) cjr

66376

Le solennit dogali

Francesco Guardi, dipinto della serie: "Le solennit?? dogali", scena: Il Bucintoro naviga verso san Nicol?? di Lido, il giorno dell'Ascensione. Dipinto verso il 1775-1780.

74173

Little Square of St. Marcus

Oil painting, Francesco Guardi (1712?C1793) Date c.1780 cyf

59186

Miracle of a Dominicane Saint

Miracle of a Dominicane Saint (1763), Lugano, private collection.

69129

piazza san marco, venedig

olja på duk 50x85 se

32531

Recreation by our Gallery

mk79 About 1650

20719

rThe Doge Grants an Andience in the Sala del Collegin in the Ducal Palace (mk05)

Canvas 26 1/2 x 40''(67 x 101 cm)One of the series of Twelve scenes of Venetian festivals.Inv 325(MN)

42730

Santa Maria della Salute

MK169 Venetie ca. 1765 oil Paint on cloth 48.3x38.4cm National Gallery or Scotland

75636

Schiffe im Meeresgewitter

1765-1770 Oil on canvas 33 ?? 45 cm (13 ?? 17.7 in) cjr

77434

Schiffe im Meeresgewitter

Date 1765-1770 Medium Oil on canvas Dimensions 33 ?? 45 cm (13 ?? 17.7 in) cyf

41175

St.Mark-s Basin with San Giorgio Maggiore and the Giudecca

mk157 72x97cm

1826

The Bucentaur Departs for the Lido on Ascension Day

1766-70 Musee du Louvre, Paris

20720

The Coronation of the Doge on the Staircase of the Giants at the Ducal Palace (mk05)

Canvas 26 1/2 x 40''(67 x 101 cm)One of the Series of Twelve scenes of Venetian festivals INV 323 (MN)

30302

The Departure of the Doge on Ascension Day

nn05 c.1770 The marriage of Venice with the sea

1827

The Doge in the Bucentaur at San Nicolo di Lido on Ascension Day

1766-70 Musee du Louvre, Paris

1825

The Doge of Venice goes to the Salute on 21 November to Commemorate the end of the Plague of 1630

1766-70 Musee du Louvre, Paris

20721

The Doge Takes Part in the Festivities in the Piazzetta on Shrove Tuesday (mk05)

Canvas,26 1/2 x 40''(67 x 100 cm)One of the series of twelvescenes of Venetian festivals INV 321

43263

The Doge-s Palace and the Molo from the Basin of San Marco

mk170 circa 1770 Oil on canvas 58.1x76.4cm

43262

The Giudecca with the Zitelle

mk170 1780-1790 Oil on canvas 18.7x23.8cm

59187

The Lagoon Looking Towards Murano from the Fondamenta Nuova

The Lagoon Looking Towards Murano from the Fondamenta Nuova (1765-70) Oil on canvas, 31,7 x 52,7 cm. Fitzwilliam Museum, Cambridge.

70581

The Little Square of St. Marc

The Little Square of St. Marcus", Oil painting, Francesco Guardi (1712?C1793) c.1780

72516

The Little Square of St. Marcus

"The Little Square of St. Marcus", Oil painting, Francesco Guardi (1712?C1793) cjr

43261

The Punta della Dogana

mk170 1780-1790 OIl on canvas 18.7x23.8cm

78659

Three Arched Bridge at Cannaregio

between 1765(1765) and 1770(1770) Medium Oil on canvas cyf

33794

Venetian Gala Concert

mk86 c.1782 Oil on canvas 67.7x90.5cm Munich,Bayerische Staatsgemalde-sammlunge,Alte Pinakothek

21917

Venetian Gala Concert (mk08)

c.1782 Oil on canvas. 67.7x90.5 Munich,Bayerisch Staatsgemalde-sammlunge,Alte Pinakothek

56124

venice acrooss the basin of san marco

mk247 c.1760,oil on canvas,21.5x34 in,54.5x86.5 cm,private collection

69798

Venice from the Bacino di San Marco

oil on canvas painting by Francesco Guardi

43260

Venice The Punta della Dogana with S.Maria della Salute

mk170 circa 1770 Oil on canvas 56.2x75.9cm

41059

View of a Square with Palace

mk159 Oil on canvas transferred from panel 27x23cm

85463

View of the Palazzo Loredan dell'Ambasciatore on the Grand Canal

Medium Oil on panel cyf

77678

View of the Palazzo Loredan dell'Ambasciatore on the Grand Canal, Venice,

View of the Palazzo Loredan dell'Ambasciatore on the Grand Canal, Venice, oil on panel painting by Francesco Guardi, National Museum of Wales. cjr

Francesco Guardi

1712-1793 Italian Francesco Guardi Galleries Francesco Guardi was born in Venice into a family of lesser nobility from Trentino. His father Domenico (born in 1678) and his brothers Niccolo and Gian Antonio were also painters, the latter inheriting the family workshop after the father's death in 1716. They probably all contributed as a team to some of the larger commissions later attributed to Francesco. His sister Maria Cecilia married the pre-eminent Veneto-European painter of his epoch, Giovanni Battista Tiepolo. In 1735, Guardi moved to the workshop of Michele Marieschi, where he remained until 1743. His first certain works is from 1738, for a parish at Vigo d'Anuania, in Trentino. In this period he worked alongside his better-known brother, Gian Antonio. The first work signed by Francesco is a Saint Adoring the Eucarist (circa 1739). His works in this period included landscapes as well as figure representations. His early vedutas show influence both from Canaletto and Luca Carlevarijs. On February 15, 1757 he married Maria Mattea Pagani, the daughter of painter Matteo Pagani. In the same year his brother Gian Antonio died and his first son, Vincenzo, was born. His second son, Giacomo, was born in 1764. In 1763 he worked in Murano, in the church of San Pietro Martire, finishing a Miracle of a Dominican Saint clearly influenced by Alessandro Magnasco in its quasi-expressionistic style. Francesco Guardi's most important later works include the Doge's Feasts, a series of twelve canvases celebrating the ceremonies held in 1763 for the election of Doge Alvise IV Mocenigo. In his later years, Canaletto's influence on his art diminished, as showed by the Piazzetta in the Ca' d'Oro of Venice. In circa 1778, he painted the severe Holy Trinity Appearing to Sts. Peter and Paul in the parish church of Roncegno. Miracle of a Dominicane Saint (1763), Lugano, private collection.In 1782 Guardi was commissioned by the Venetian government six canvases to celebrate the visit of the Russian Archdukes in the city, of which only two remain, and two others for that of Pope Pius VI. On September 12 of that year he was admitted to the Fine Art Academy of Venice. A stronger attention to colours is present in late works such as the Concerto of 80 Orphans of 1782, now in Munich, in the Façade of Palace with Staircase in the Accademia Carrara of Bergamo. Guardi died at Venice in 1793.

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